The myth of interference: bad science created the broadcast industry
Originally published: November 9, 2009
Last updated: November 9, 2009 - 9:02pm
[Commentary] There's a reason our television sets so outgun us, spraying us with trillions of bits while we respond only with the laughable trickles from our remotes. To enable signals to get through intact, the government has to divide the spectrum of frequencies into bands, which it then licenses to particular broadcasters. NBC has a license and you don't. Thus, NBC gets to bathe you in "Friends," followed by a very special "Scrubs," and you get to sit passively on your couch. It's an asymmetric bargain that dominates our cultural, economic and political lives -- only the rich and famous can deliver their messages -- and it's all based on the fact that radio waves in their untamed habitat interfere with one another. Except they don't. "Interference is a metaphor that paints an old limitation of technology as a fact of nature." So says David P. Reed, electrical engineer, computer scientist, and one of the architects of the Internet. If he's right, then spectrum isn't a resource to be divvied up like gold or parceled out like land. It's not even a set of pipes with their capacity limited by how wide they are or an aerial highway with white lines to maintain order. Spectrum is more like the colors of the rainbow, including the ones our eyes can't discern. Says Reed: "There's no scarcity of spectrum any more than there's a scarcity of the color green. We could instantly hook up to the Internet everyone who can pick up a radio signal, and they could pump through as many bits as they could ever want. We'd go from an economy of digital scarcity to an economy of digital abundance." So throw out the rulebook on what should be regulated and what shouldn't. Rethink completely the role of the Federal Communications Commission in deciding who gets allocated what. If Reed is right, nearly a century of government policy on how to best administer the airwaves needs to be reconfigured, from the bottom up.
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