Pushing China’s Limits on Web, if Not on Paper

Murong Xuecun (moo-rong shweh-tswen) is the pen name of Hao Qun. At 37, he is among the most famous of a wave of Chinese writers who have become publishing sensations in the past decade because of their canny use of the Internet.

His books are racy and violent and nihilistic, with tales of businessmen and officials engaging in bribe-taking, brawling, drinking, gambling and cavorting with prostitutes in China’s booming cities. He is a laureate of corruption, and his friends have introduced him at dinner parties as a writer of pornography. That his books are published at all in China shows how the industry, once carefully controlled by the state, has become more market-driven. Murong’s prose inevitably runs up against censorship, which the Chinese Communist Party is intent on maintaining despite the publishing industry’s gradual changes. Murong says he is a “word criminal” in the eyes of the state, and a “coward” in his own eyes for engaging in self-censorship. His growing frustrations have pushed him to become one of the most vocal critics of censorship in China.