[Commentary] The Oscar nominees this year and most years, and the movie industry they represent, fall woefully short when it comes to mirroring American society and, increasingly, the moviegoing audience. And that's especially true when it comes to the fastest-growing racial group in the nation, Asians, and the largest minority group, Latinos.
The Ralph J. Bunche Center for African American Studies at UCLA last year released a comprehensive “Hollywood Diversity Report” (the second one comes out Feb. 25). It's not a pretty picture. Minorities are underrepresented compared to their numbers in the overall population by a factor of about 3-1 among lead roles in film and among film directors. That ratio is nearly 5-1 when it comes to screenwriters. On TV, minorities do best on cable, where they're only underrepresented 2-1 among lead actors in dramas and comedies. Among show creators, the discrepancy is nearly 9-1 in broadcast, nearly 5-1 in cable. All this when ratings and box office tend to rise when casts match the nation's racial and ethnic diversity. “The decision makers,” the report concluded, “routinely surround themselves with people with whom they feel comfortable -- people who think (and often look) like them.” Worse, they peddle the notion that there is a “necessary tradeoff between diversity and excellence” and diversity and box office.
The entertainment industry is a difficult, risky and expensive proposition by any measure. Adding the pressure of achieving racial diversity will, for some, feel forced or cumbersome. It's more comfortable to rely on those you already know and what you think has worked in the past. But for its very survival, Hollywood has to change, in every color. It will be good for the industry's bottom line and good for our nation's collective soul.
[Jose Antonio Vargas is the founder of Define American, a media and culture organization. Janet Yang is a film producer whose credits include “The Joy Luck Club.”]