Fight for the Future, parked an 11-foot-wide video billboard outside the Federal Communications Commission headquarters and played videos urging the FCC to take a strong stance toward requiring network neutrality. Meanwhile, the National Cable & Telecommunications Association launched a radio, print and Web ad campaign urging the agency to maintain a “light touch” in considering any regulation, a position also taken by former-Sen John Sununu (R-NH) and former-Rep Harold Ford Jr (D-TN), at a press conference in behalf of Broadband for America. New comments were extensive.
The Writers Guild of America-West's comments included examples of what it called the entertainment industry successes possible with open Internet. In one, Margaret Dunlap, writer and co-executive producer of the Emmy award-winning Web series ”The Lizzie Bennet Diaries,” said her show, which had no corporate backing, no studio and no network partnerships, was possible because of the open Internet and Net Neutrality. “We were posting episodes of our show exactly the same way that someone would put up a video of their cat,” she said. “But thanks to the Open Internet and Net Neutrality, our videos loaded just as quickly and played just as well as anything on Netflix, Hulu, or NBC.com. That level playing field allowed an underserved audience to find and embrace the content that spoke to them, no matter where it came from.”
In another, Ruth Livier, writer and creator of “YLSE,” wrote that after she created the concept for the show in 2010 and presented it at one event designed to nurture Latino talent, she was asked: “Who is going to watch this?” She returned to the script in 2008 after technology changed. “The Internet suddenly put worldwide distribution at our fingertips,” Livier said. “It all seemed too good to be true. But, it was true. And it was good. And it changed everything. We suddenly had unprecedented access to create, produce and distribute our content. In this exciting new frontier of a neutral non-discriminatory Internet, anyone could finally tell their stories from their point of view without getting discouraged, derailed or having their vision diluted.” “The bottom line is, as long as the digital space remains neutral and does not go the way of traditional media, we will never again be disregarded by anyone who essentially asks, ‘Who are you to have your story be told?'” she said in WGA-W comments.